Shulie A Bop - Sarah Vaughan - Sarah Vaughans Finest Hour (CD)
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2000
Label: Verve Records - 543 597-2 • Series: Finest Hour Verve • Format: CD Compilation • Country: Europe • Genre: Jazz • Style: Bop
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8 Replies to “ Shulie A Bop - Sarah Vaughan - Sarah Vaughans Finest Hour (CD) ”
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Album. Points. US peak. US AC peak. US R&B peak. UK peak. Comment. Video. 1. 07/ ④ Nature Boy by Sarah Vaughan. 9 US [artist #4 hit] [Musicraft That Lucky Old Sun (Just Rolls Around Heaven All Day) by Sarah Vaughan. 14 US [Columbia ] written by Beasley Smith & Haven Gillespie. 5. 10/ Make Believe (You.
Kajibar says:
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Verve's Finest Hour collection of Sarah Vaughan 's work compiles 60 minutes of career highlights, including "Misty," "Lush Life," "Lullaby of Birdland," "Star Dust," and "My Coloring Book." Though it's by no means a definitive compilation of Vaughan 's music, it does provide a welcome overview of some of her best pop and jazz moments.6/
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In Vaughan recorded the No 'Count Sarah album with members of the Count Basie Orchestra, minus Basie, who was under contract with another record company. Performances from this era often found Vaughan in the company of a veritable who's who of jazz figures from the mids during a schedule of almost non-stop touring.
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America jazz singer Sarah Vaughan (–) recorded extensively throughout her career, and most recordings remain in the catalogs as reissues. The following is a selected list of albums in chronological order by date of release.
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Jul 05, · Vocalist Sarah Vaughan sings at the Newport Jazz Festival's closing night on July 3, in Newport, R.I. (AP Photo) It was a golden age for American music — .
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Album. Shulie a Bop Sarah Vaughan. Released Shulie a Bop Tracklist. 1. Loverman Lyrics. 2. Shulie A Bop Lyrics. 3. Polka Dots and Moonbeams Lyrics. 5. They Can't Take That.
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"Shulie-A-Bop" is a charming, up-tempo swinger with which Sarah introduces her band both in concert and, uniquely, on record. The now famous moment where Sarah proclaims "Roy Haynes" between two of the drummer's breaks is perhaps what's best remembered about this track, but everyone's performance is top-notch.
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This volume on Sarah Vaughan just barely fits the bill for a compilation, since it includes material from only two sessions, both recorded for EmArcy in If fans voted to choose just two sessions, however, first place would likely go to the December date that closes this disc (including a septet with trumpeter Clifford Brown), while the other, a trio session from the previous April, would trail close 8/