Prelude Gb Major, Op. 11, No. 13 - Alexander Scriabine - Preludes, Op. 11 & Tenth Sonata (Flexi-disc)
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1966
Label: Roaring Fork Press - NA • Format: Flexi-disc • Country: US • Genre: Classical •
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9 Replies to “ Prelude Gb Major, Op. 11, No. 13 - Alexander Scriabine - Preludes, Op. 11 & Tenth Sonata (Flexi-disc) ”
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PARNASSUS RECORDS SELECT P OLD Parnassus Records, 51 Goat Hill Road, Saugerties NY , USA. PLEASE NOTE THESE VERY IMPORTANT DETAILS! This page shows an .
Gugore says:
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Music Scores arranged by Composer/Arranger. from the Library of the North East of Scotland Music School. Saturday 15th August Complete A-Z by Composers / Arrangers (abbreviated).
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[Sonata, piano, no, op,2 “Moonlight”, C-sharp minor] Piano Sonata in C-sharp Minor, op, no.2, “Moonlight Sonata”. Part 1: Facsimile of Autograph BH 60 .
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Webern, Six Pieces for Orchestra, Op. 6, No. 5; see also Example Webern, Five Pieces for Orchestra, Op. 10, second movement C O N T E M P O R A R Y S T R IN G T E C H N IQ U E S During the past forty years, a great number of innovations in string technique have .
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This study concerns the incorporation of tonal and modal elements with Aarre Jout-senvirta’s pitch-web square in an analysis of Béla Bartók’s (–) opera, A kékszakállú herceg vára (Duke Bluebeard’s Castle) (Op. 11, Sz 48, BB 62, ; revised , ).
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–11–25 Gives a private reading of Sonata no. 1 for Piano in the presence of Busoni at the home of the dancer Maud Allan. –11–02 Gives the first public performance of Sonata no. 1 for Piano at Mortimer Hall (first known concert appearance).
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May 11, · Die Nachtigall, Op. 11 No. 2, D. (Arr. for Voice & Guitar) Franz Schubert,Anonymous,Johann Carl Unger 16NxFdyIYTbVp0S9tQV1eu Kapitel 19 16OD6neWe9SuavyPRRaxD8 Buddhist Rituals 16Q9Ctx3IYlTYI4dUkk8wA Madre Querida Los Patrones De La Tierra Brava 16RFR0EzbJQ0XDf4axIn9I B&S Records Future History Jan Gustafsson .
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The Prelude op. 11 no. 5 is marked r' = 40 and the Etude op. 8 no. 11 is marked r = This knowledge suggests that the prelude could concei vably move more quickly and performances have shown that it is indeed desirable to play the etude slower than the tempo indication, within the limits of good taste and the requirements of the music.